My order from Jimmy Beans Wool arrived with some of their fun eco-yarns.




On the left is Vermont O-wool (organic) which will be a men's hat design. On the right is Maizy which is a corn silk and nylon blend. This yarn will become some girly socks.



On the top is some Panda Cotton which is my favorite of the bunch. It is a bamboo/cotton/nylon blend and is soft and elastic. It will become some fingerless gloves with a lacy cuff. The Karaoke is a soy silk and wool blend that will become mittens. I also bought four more colors of Pakucho naturally-colored cotton since it was on sale.



I've been spinning up some lovely angora blend fiber from Anne at Wooly Wonka Fibers with my favorite Tracy Eichheim spindle. It has a rabbit design and is quite the little speed demon. This yarn will become socks for myself and DH.




Here's the rest of my spindle collection. I have a Tracy Eichheim production spindle, a laceweight spindle, a Bosworth spindle, a cotton spindle, a Louet boat anchor spindle for plying and the very first spindle I used from colorful fimo clay. I've broken off the hook many times but I can't bear to get rid of it.

If you are reading this blog entry on any knitting blog other than Knitting in Color, http://knittingincolor.blogspot.com/ , then you can be sure my blog entry and photos were used WITHOUT my permission.

I've found some entire blog entries (and my photos!) were used in two other blogs. This is apparently called blog scraping and people do it to make money through adsense. I could shorten my feed but you'd have to go to my blog every time I post so instead I'm just going to post this disclaimer occasionally. If you want to see if your blog entries are being copied, go to http://www.copyscape.com/ .

I'm still undecided about my Great American Aran Afghan squares. I have ten squares completed and an additional 7 skeins of the now defunct tomato Wool of the Andes. Knitpicks kindly sent me a list of colors they think would complement the tomato yarn and I could probably even find more of this color but honestly I'm not sure I want to finish it. I have had this project hanging over my head for years and I'm never comfortable with unfinished projects.



DH thinks I should just make a small afghan which is a possibility. I also could make a bunch of pillows but I don't really need more pillows. Hmmmm.

The skies are finally clearing here. It is now quite hot and I'm hoping DH comes home early enough to install the window air conditioners.

Experimental Abstract Wide-Screen Best Wallpapers

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Animals Best Wallpapers

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Less art

At times it seems the smaller the intervention, the better.
No, I do not mean to follow a minimalistic path, at least not now.
Minimalism, to me, has a lot to do with purity, that is, starting from a point of nothingness and adding just the right touch.
What I'm thinking is more along the lines of accepting the impurity - starting from a point of overwhelming reality and accepting it. Then, the right touch is really just a point of focus, a frame. Was it Oiticica who walked around with his admirers and made art by simply pointing at objects, thus giving them their artness? Still, even this gesture seems like too aggressive, too intrusive. Is it the art-element that makes all tools (all ways of dealing with what appears to us) seem bulky and outdated? Or is it the over-confidence we have when pointing? Isn't this the pleasure of all the YouTubes and darling amateurs? The certainty of some basic form of humbleness?

At times it seems the smaller the intervention, the better.
Yet, I often wonder where does this leave me as an artist. Once I admit a view of some apparently insignificant piece of reality can be a more enriching experience than any work of art, how can I claim anything about my own work, other than the "need" to do it? Doesn't that reveal the horribly narcissistic character of art? But what if I do not want that? If I actually wish to be in harmony with my own tastes? Where does that leave me?
All the above pictures are by Will Simpson at Loshadka, and are part of the You Are Healed series.

(via)

DH and I went to Cirque du Soleil's Saltimbanco last night and it was absolutely spectacular. It was so much better finally seeing them perform in person instead of on tv. I was positive someone was going to kill themselves about 10 different times throughout the show.

We did see a near miss - a woman acrobat was propelled flipping into the air from a swing where she was supposed to land on the shoulders of a guy standing on a long pole held by another guy and she missed. It wasn't until she started falling that I saw she was fortunately attached to a wire. The most popular performers were the acrobats who jumped on four poles in the center of the stage. One guy actually climbed up a pole upside down with only his hands.

The evening was jam-packed with jugglers and strong men and clowns and drummers and trapeze artists and live music. We got there early which was fortuitous because most of the performers come out before the show and start goofing around with the children in the audience.

I have an idea for dealing with running out of yarn for the Great American Aran Afghan but I have to wait until it clears up to take photos. At least all this rain has been creating some gorgeous sunsets.

Lighting Techniques of the Portrait Masters

I was recently teaching Studio Lighting at Gulf Photo Plus in Dubai a few weeks ago with other PPSOP instructors and had the opportunity to work with the model Lenka. The goal of the workshop is similar to my online class here, to teach about learning to see light and sculpting your subjects with light.

There is not much difference between what a sculptor does in their art and a photographer using light. The sculptor uses tools to create a 3 dimensional work of art while the photographer uses light to sculpt their subject to appear 3-dimensional in a 2-dimensional medium.

For Lenka, I used a beauty lighting technique called over/under with one light above and the other under to create a key light and a fill light. This is a very nice way for photographing woman in a soft and flat light manner as it hides skin imperfections, blemishes, and wrinkles. In this image I then went further using skin softening and dream glow techniques to work on the eyes, nose, and mouth. These techniques and many more are in my class: Lighting Techniques of the Portrait Masters.

Charlie Borland
www.borlandphoto.com
Blog: www.thecommercialphotographer.net

Beirut Melancholy

BEIRUT -Cliquot - From the FLYING CLUB CUP

Of course, of course, no art is ever new. Of course, of course, there is more beauty behind us than we will ever see. Of course, nothing can ever compete with harmony. Yet of course, harmony seems never enough.
Of course, there is a time for mourning, and yet of course, the harmony in the mourning chant outcries the cry.

found here

I've been furiously cleaning the house looking for my amethyst necklace shown above. DH bought it for me for our anniversary last month from the Sundance Catalog and it had this unusual handmade clasp that was partially open. I wore it constantly so I have absolutely no clue how it disappeared. I need to stop thinking about it and just go ahead and replace it. Of course that will be when the first necklace finally shows up but I can always get a jeweler to make me a matching bracelet.





Here is the fingering weight hemp from Elann. I'm going to use these colors to make a small stranded bag. I'm pretty happy with the shininess of this yarn.









Here's the Pakucho naturally-colored cotton. (Yes, I dearly need to get a tripod.) It hurts my hands just to think about knitting with it. I have read the colors darken with washing so I'm going to go ahead and pre-wash each skein several times to see if I can't soften it a bit before knitting. I'm not sure what I'm going to make with it - maybe some thick legwarmers.

In the comments Kayla W mentioned a yarn made from corn silk so I've added that to the list of fun yarns to try this summer. It is called Maizy and is made by Crystal Palace. It has elastic in it so I will make some colorwork socks.

And in other news, I just realized the Tomato color of Knitpicks' Wool of the Andes has been discontinued. It was the color I was using for the Great American Aran Afghan and it serves me right for taking so long to finish. Tomorrow I'll post all of the squares I've finished and some of my options at this point since I only have a few more skeins of the yarn.

Animals Part 1

Cam Edser's Time Film

Hey all, in one of the few posts thats not about my work, but the work of Cam Edser, a clay animation and co-owner of GooRoo Animation. I met up with Cam whislt Levi was recording an interview with him for his uni course, hes a great guy with some real orginal ideas. Now to the point.

He did a short film for a competition, all you need to know is Voting up this guy gives him money, money which he blows on his clay animation, which is not only funny but impressive as a midget doing the samba with a giant lady. So yeah, support Australian animation. besides, the film is awesome too, using a combination of techniques like pixillation time lapse photography and slow motion video.

Go to

http://www.thedoorpost.com/?film=20b0f7ef8e226aabbd2231294030869a

to check it out and vote
You can only vote once.

I often find dealing with my stash daunting. I dream of being a lace knitter with just one large skein of laceweight yarn keeping me knitting for long periods of time. The sheer numbers of colors you need for my type of knitting make the stash much larger. No matter how big my stash is, I always wish I could find yet another color during a project.

Above is a photo of my current stash - I still try hard to keep it under a certain size because of all the insects in the southwest. I recently knit up and donated my DK weight stash and most of my Shetland yarns.The empty containers are yarns that are in the freezer - I rotate all of them in and out of the freezer for moth prevention purposes.

One of the ways stranded color knitting is different from other types of knitting is that when you finish a project, you have many more partial skeins of yarn than someone who knits with just one color. After multiple colorwork projects it can become a challenge not just to use up all those little bits of yarn but also to store and label them. I definitely try to keep all my weights and brands together but I still end up with small quantities of mystery yarns.

I occasionally measure the wraps per inch of an unidentified yarn to determine the weight but more often I just eyeball a yarn to determine if it is the same weight as the others I want to use in a project. I also have no problem mixing fibers to get the colors I want. Occasionally (gasp) I don't even care and use different weight yarns in the same stranded project.



For my current chullo project I have three yarns of varying fibers and varying weights in the colors shown above. I have some Knitpicks' Andean Treasure (100% alpaca, sport weight), some Elann's Pure Alpaca (100% alpaca, worsted weight), and some Cascade Lana D'Oro (half alpaca/half wool, worsted weight) and I want to use them all for this project. What I'll probably do is use the sport weight for a child's chullo and the other two yarns for the adult hat. If I wasn't going to write up the pattern I'd probably use them all in the same hat just to give me some extra color choices.

Another issue is my need for different color combos to get inspired for a new project. I can knit 3 pairs of Arctic Spring Mittens out of the 4 skeins of Elann's Pure Alpaca Fina sportweight needed for the pattern just by switching the colors for the hand. I wanted to make a few more pairs but did I use the yarn I already had? Of course not - I bought two new colors to make additional color combos instead! sigh

Paysages Part 1

This summer I'm planning on playing with some eco-friendly yarns. I've already ordered some Pakucho naturally-dyed cotton and several colors of hemp. I'm also really looking forward to trying bamboo, soy silk, and Vermont O-Wool. I'll probably try to do colorwork with them all with varying degrees of success. I've found the Green Knitter web site very helpful and educational with info different methods of yarn production with links to many environmentally-friendly companies.

Speaking of ecological knitting, here are some market bags I knit years ago from long-gone patterns. The one on the left is knit from thick cotton and much too big to be useful. Once you sling it over your shoulder and fill it up the bag will drag on the floor unfortunately. The one on the right is knit from Euroflax linen and much stronger than it looks. Both have been retired from use as a result of stretching and are now used to hold my various handknit items. I will probably make a few more (possibly from THIS free pattern) when my new yarns arrive.