I have just discovered a musical piece called Vvoi, by someone (person? group?) called meta. I'm happy about the coincidence (I had nothing to do with it), since I like the piece. I might even use it in a (durational) performance I'm preparing (providing the author permits it).
Sunday, May 8, 2005
Breathing
I have just discovered a musical piece called Vvoi, by someone (person? group?) called meta. I'm happy about the coincidence (I had nothing to do with it), since I like the piece. I might even use it in a (durational) performance I'm preparing (providing the author permits it).
Saturday, May 7, 2005
Sculpting your way out of sculpture?
"It is clear that I often craved to bring sculpture into a more direct involvement with the common experience of living.
At such times I felt there must be a more direct way of contact than the rather remote one of art.
Initially this may have been no more than an attempt to move beyond the narrowing horizons of artistic sensibility.
It bothered me that art so soon became a style with little creation added to its production.
Why should the artistic imagination be so contained, or be unequal to the broadening scope of our world awareness?"- Isamu Noguchi (1904-1988), A Sculptor's World (1968)
All the pictures are of works by Isamu Noguchi. In order of appearance:
Lunar Infant (1944)
Artist's studio, New York City(1945)
Detail of Playscapes, Atlanta, Georgia (1975-76)
Energy Void (1971)
Large Walking Box (1952)
The Garden of Peace, UNESCO, Paris
Friday, May 6, 2005
Surface
"The skin is what is deepest" - Paul Valéry
(From what I understood, Paul Valéry's idea was that, paradoxically, our surface is what makes us seem so human. Under the skin, there is only flesh - animal flesh. Maybe our secret is hidden within the skin? Or maybe humanity is skin-deep?)
(Do I need to explain why this picture appears on the New Art blog?)
Thursday, May 5, 2005
Interaction
I just read my last post. It made me think about the nature of the two works. Is interactivity in art really a value?
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