Sunday, July 31, 2005



I finished the Gull Wing socks from Socks, Socks, Socks. I'm not in love with the pointy heels - they're not noticeable in this scan but are easier to see in the original pattern photo in the book. These socks are also a gift for a girlfriend's daughter. I used Froehlich Blauband for these socks in a lovely lilac color.

Now I'm back to the Aran Island Mittens from Folk Mittens. I hope I can concentrate on the socks because I'm worrying that the Red Sox will trade Manny before the trade deadline today.

Saturday, July 30, 2005

Portuguese young talent


Diana Silva, Heart Necklace (2003)

(This is a neckless made with the crochet technique, I believe)

ps.: I have just bought bluetooth for my laptop, at last, which will allow me to post pics and films from my mobile phone. Meaning - expect more terrible quality "new art" photos and films from Portugal!

Cities/People/Bodies

Is there a surface that goes beyond itself? How deep does it go? Can we go so far to the surface of the picture, we go beyond it? It is only skin, matched and resampled as in a game, as in a text. And what are they really saying through the skin? This is who we are? This is what we are? Identity? So close? So quick, so easy?

Tokyo I
Berlin
Cape Town I
Buenos Aires
Deception

Selected pictures from The Nude Adrift Portfolio, by Spencer Tunick (at the Guy Hepner Contemporary gallery in London)

Friday, July 29, 2005

Workshop

I'll be directing a workshop next week in Montemor-o-Velho, entitled "Between Performance and Theater" (Portuguese link). I want to explore the zone between acting, enacting, performing and participating, so it should be a lot of fun and pretty challenging.

Birdwatching (1)

During the Serpa seminar, I did some filming. The goal was a specific type of (experimental) documentary, but the bad quality of sound made it unviable. One of the filmed sequences, though, came out amazing: a group of birds flying around in the setting southern sun.

Every time I saw the material, I became fascinated with the moving image, its fluidity, its combination of harmony and power and playfulness, the games of shadows and highlights. The entire scene lasts less than a minute, probably about 30 seconds. On the other hand, it seems just the right amount of starting material.
But for what?