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Wheatley in Repose By Gentleolas
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Of course I constantly despair at my own incapacity, at the impossibility of ever accomplishing anything, of painting a valid, true picture or even of knowing what such a thing ought to look like. But then I always have the hope that, if I persevere, it might one day happen. And this hope is nurtured every time something appears, a scattered, partial, initial hint of something which reminds me of what I long for, or which conveys a hint of it - although often enough I have been fooled by a momentary glimpse that then vanishes, leaving behind only the usual thing.
I have no motif, only motivation. I believe that motivation is the real thing, the natural thing, and that the motif is old-fashioned, even reactionary (as stupid as the question about the Meaning of Life).
- Gerhard Richter (20 February 1985)*
I am a woman and I live in Iran. I am a photographer and this is the only thing I know how to do. I began work after completing my studies. Quite by accident, the subjects of my first two series were "women". However, since then, every time I think about a new series, in a way it is related to women.
It does not make a difference to me what place the Iranian woman has in the world because I am sure no one knows much about it.
Perhaps the only mentality of an outsider about the Iranian woman is a black chador, however I try to portray all the aspects of the Iranian woman. And this completely depends on my own situation.
from an interview with Jack Vettriano"I just consider myself a trader. I take my goods to the marketplace and try to get the best price I can."
The greater glory of art doesn't come into it, he confirms. "That's not why I paint," he said. "It's wall decoration for me, I don't regard it as this big meaningful thing. My subjects are men and women getting off, that's all. Mind you, some people don't think sex is serious, but I happen to think it's terribly serious."