
DeeDee's first foray into the back garden. By ljcybergal.
The Perfect Picture Photography School is world's leading provider of online photography, photoshop courses, and many more..
- says Christian Tedeschi. And it is true of his works: at first glance they seem scary, dangerous, aggressive. But once we look more carefully, we see a light-heartedness that enchants. For once, the heavy matter turns into crystal form. For once, Beuys is misundertood as he should be, without the huffing and puffing of someone too old to be a disciple. And so, the matter dances and plays. It swirls in the air as if it weren't suspended. It moves by itself. But don't be fooled - it does nothing of itself. Even if it takes 10 seconds to reorganize it, the world stands anew. Enthropy? Erosion? A gentle spin of time?
I believe in art that one trips over,
Tumbles blindly
Down several flights of stairs
To end up on their own two feet.
Virtually unscathed, and
Into the arms of their sweetheart.
Camera Obscura 2005/1-Inf is a worldwide project in which two holes of a twin-holed pinhole camera are being auctioned simultaneously on Ebay every week. This project is dedicated to the polish artist Roman Opalka and his work 1965/1-∞. The highest bidders in each case receive one after the other a pinhole camera loaded with a piece of unexposed sheet of 5x7 Inch b/w film.There is a sense of global fraternity and timelessness in this project that's appealing. OpaÅ‚ka is a great reference to have - he is an artist I have come to appreciate and there is much to learn from him. One of the things is persistence. Another is discipline. Yet another, choosing the right format. If you get your format right, the work works with you, if not for you.
Maybe, as the ambulance blared through the Milan streets, di Benedetto was moved to reflect on the violent collision of two types of judgment: civic and aesthetic. He seemed to have mistaken one for the other; or rather, he’d disallowed the second as soon as he set out on his hapless clamber.I quite disagree. I think the whole work was based on the game between a work of art and a "natural" surrounding. As it is often the case with Cattelan, it was supposed to create uncertainty about the exact role of the work. Only here, it could easily bring uncertainty as to whether the sculptures were real or not.