
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The third etude, "Touches bloquees" ("Blocked Keys"), uses the same technique that first appeared in "Selbstportrait," the second of the Three Pieces for Two Pianos. Certain keys are held down silently with one hand while the other hand plays a very fast chromatic line on and around the blocked keys, which of course do not sound. The result is a complicated rhythmic pattern that gives the music a somewhat mechanical quality. At first the silent gaps are all the duration of a single eighth, but eventually the gaps are two eighths, then three, and continue to increase in length until the texture becomes increasingly sparse. Again, this etude is about the creation of illusion; we see a continuous pattern of eighth notes on the page, but what results in performance are quirky rhythmic patterns that are not discernible to the eye and would be all but impossible to notate in a more traditional fashion to achieve the desired effect.Actually, it wasn't so much about the listening for me. What put me in a state of awe was the seeing. It is the clear struggle between the hands, the tension between the immobile one and the one that runs crazily above it or under it. Also, the tension of the one that is supposed to stay immobile, simply blocking some keys, but cannot resist the opportunity and spurts out sounds now and again, as if to underline it has total power. And then they switch. And we hear it, we hear this body negiation, we hear it once we see it, once we understand the game, it becomes obvious.
"Eleanor of Aquitaine seized hold of life in the 12th century in a way any modern woman would envy!
1151: As Duchess of Aquitaine, Eleanor grew up knowing what it was to be regarded for herself and not for her husband's title. Now, as wife to Louis VII and Queen of France, she has found herself unsatisfied with reflected glory-and feeling constantly under threat, even though she outranks every woman in Paris.
Then, standing beside her much older husband in the course of a court ceremony, Eleanor locks eyes with a man-hardly more than a boy, really- across the throne room, and knows that her world has changed irrevocably...
He is Henry D'Anjou, eldest son of the Duke of Anjou, and he is in line, somewhat tenuously, for the British throne. She meets him in secret. She has a gift for secrecy, for she is watched like a prisoner by spies even among her own women. She is determined that Louis must set her free. Employing deception and disguise, seduction and manipulation, Eleanor is determined to find her way to power-and make her mark on history."
"Looking forward to the joys of connubial bliss, newlyweds Lady Emily and Colin Hargreaves set out toward Turkey for an exotic honeymoon. But on their first night in the city, a harem girl is found murdered—strangled in the courtyard of the Sultan’s lavish Topkapi Palace. Sir Richard St. Clare, an Englishman who works at the embassy in Constantinople, is present and recognizes the girl as his own daughter who was kidnapped twenty years earlier. Emily and Colin promise the heartbroken father they’ll find her killer.
As a woman, Emily is given access to the forbidden world of the harem and quickly discovers that its mysterious, sheltered walls offer no protection from a ruthless murderer. Soon, the Valide (mother to the Sultan) is found strangled with a silken bowstring and the head Eunuch is brutally slain.
When the killer strikes again, kidnapping a concubine and threatening to kill her unless Emily agrees to meet him in secret, she cannot wait for Colin or the authorities to come to her rescue. In a heart-stopping finale, Emily must rely on her own sharp wits if she is to stop a killer bent on taking revenge no matter how many innocent lives he leaves in his wake."