The work, by Maarten Vanden Eynde, is called Rave Nature, but here is something interesting: the photo's file on the artist's server is named podium. I much prefer this second name. Also, as we can read here, contrary to many other works of land art, the work as such was not the picture, but the thing itself. It was part of a festival, and was actually an installation that at night would be lit with disco lights and a stroboscope, and smoke would come out while a song would play... I'm not really sure if I still enjoy it as much. One thing is for sure: this picture certainly doesn't convey the idea of rave. Which might be part of the trick, come to think of it. As if the stage was set, but impossible to comprehend during daylight? On a more general level, it's fascinating how the opening of interpretations, as would be the case without the night party, leaving the stage as is, at the same time attracts (makes it more enigmatic) and repels (oh, yah, I get it, conceptual work, got the concept, let's go). Is it cat vs. dog? Is it about the work (over)interpreting itself? Two other pieces by the artist I particularly appreciated:
Both are from the Genetologic Research series. The second one seems to only really gain power when seen in the physical space, but we get the point.Technorati:
